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When Santa gets ill, Christmas is cancelled in Adventure Bay. Mayor Humdinger goes to the North Pole to take all the gifts for himself. Rubble and the rest of the PAW Patrol will have to make a sacrifice to stop Mayor Humdinger from ruining Christmas!
Fifty years after his passing, we embark on a journey through his Paris, amidst sunshine and shadow, convictions, and contradictions. From a young, impoverished foreigner to a 20th-century icon. Above all, the creative energy of a revolutionary genius, and a national museum dedicated to him in the heart of the French capital. 6,000 masterpieces, 200,000 archival materials. The most extensive collection in existence for the painter who never concealed a thing about himself.
Finsbury Park's Club Room is a welcoming, social event space with cabaret-style seating and tables, ready for you to enjoy a curated food and drink menu. Doors will open 30 minutes before your event's advertised start time, leaving plenty of time to get comfortable and place any orders. Please be aware that table service will take place during your event, and that as each table seats four, you may be seated with other guests. LEGEND: DIRECTOR’S CUT – 40TH ANNIVERSARY (1985) A young man must stop the evil Lord of Darkness from destroying love and daylight. Doors: 6pm. Intro + Film + Intermission: 6:30pm – 9pm Adults 18+ only Ridley Scott’s LEGEND (1985) is one of the most popular titles on our BAR TRASH audience request cards, often suggested using four simple words: “Tim Curry is God”. And you can’t get enough of him: previously, we’ve sold out two screenings of THE ROCKY HORROR PICTURE SHOW (1975) at Genesis Cinema and CLUE (1985) was our fastest selling title so far at Beer Merchants Tap. If John Waters is the ‘Pope of Trash’, then perhaps Tim Curry is our patron saint? LEGEND is rightly famous for its incredibly rich set and production design, a pre celebrity teeth Tom Cruise, and a story as transparent as a pair of fairy wings… The whole affair is brought to riotous life by Curry’s towering performance amidst a series of jaw-dropping makeup effects from industry icon Rob Bottin (THE THING). Curry appears covered head-to-toe in lobster-red prosthetics as Darkness, adorned by a horned headpiece that was heavier than an office typewriter. “It may have a simple plot and a miscast Tom Cruise, but LEGEND looks absolutely wonderful and is peak 1980s practical filmmaking” (UK Film Nerd) Polite notice: We are projecting LEGEND: DIRECTOR’S CUT with subtitles from the best available digital source. /// BAR TRASH is a celebration of cult and curious cinema, hosted by queer film fanatic Token Homo and friends. Films are served with introductions, intermissions, prize giveaways, and subtitles / captions where possible. Tickets £8 / £5 for PH members. Adults 18+ only. Follow @tokenhomo on Instagram for updates. More info at tokenhomo.com ///
We invite you to a very special double bill. The screenings of David Lean’s enduring love story Brief Encounter which celebrates its 80th anniversary on Wednesday 26 November and then watch the premiere screening of the real life story that lies behind the iconic film. Briefest Encounters - An Untold Love Story - uncovers the hidden past of actor Cyril Raymond, who played the cuckolded husband in the film. In an uncanny twist of fate, Cyril himself experienced a ‘brief encounter’ with fellow actor Janet Morrison during a transatlantic stage production which resulted in a child being born out of wedlock. This film is about more than one lost love - it’s about three intertwined lives, missed chances and the emotional cost of convention. After the screening there will be a Q&A with the filmmakers Joanna Crosse and Luke Taylor from Meaningful Films.
Two conspiracy obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
Two conspiracy obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
Wyoming, early 1900s. Butch Cassidy and The Sundance Kid are the leaders of a band of outlaws. After a train robbery goes wrong they find themselves on the run with a posse hard on their heals. Their solution - escape to Bolivia.
Caribbean and African Collective, Ealing (CACE) presents an exclusive screening of WICKED: FOR GOOD, supported by The New Black Film Collective. The evening will open with an introduction from CACE’s founder, Michelle Brooks, followed by a Q&A with a special guest. Last year’s global cinematic cultural sensation, which became the most successful Broadway film adaptation of all time, now reaches its epic, electrifying, emotional conclusion in Wicked: For Good. Directed once again by award-winning director Jon M. Chu and starring the spectacular returning cast, led by Academy Award® nominated superstars Cynthia Erivo and Ariana Grande, the final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. Under the instruction of Madame Morrible (Oscar® winner Michelle Yeoh), Glinda is deployed to serve as an effervescent comfort to Oz, reassuring the masses that all is well under the rule of The Wizard. As Glinda’s stardom expands and she prepares to marry Prince Fiyero (Olivier award winner and Emmy and SAG nominee Jonathan Bailey) in a spectacular Ozian wedding, she is haunted by her separation from Elphaba. She attempts to broker a conciliation between Elphaba and The Wizard, but those efforts will fail, driving Elphaba and Glinda only further apart. The aftershocks will transform Boq (Tony nominee Ethan Slater) and Fiyero forever, and threaten the safety of Elphaba’s sister, Nessarose (Marissa Bode), when a girl from Kansas comes crashing into all their lives. As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good. Wicked: For Good also stars Emmy nominee Bowen Yang and Bronwyn James as Glinda’s fawning assistants, Pfannee and ShenShen and BAFTA and Grammy nominee Sharon D. Clarke (Caroline, or Change) as the voice of Elphaba’s childhood nanny, Dulcibear. The film is produced by returning Tony and Emmy winning powerhouse Marc Platt p.g.a. and by multiple Tony winner David Stone. The executive producers are Stephen Schwartz, David Nicksay, Jared LeBoff, Winnie Holzman and Dana Fox. The first film, Wicked, released in November 2024, earned 10 Academy Award® nominations, including Best Picture, and won the Oscars® for Costume Design and Production Design. To date, the film has grossed $750 million worldwide. Wicked: For Good is based on the generation-defining musical stage play with music and lyrics by legendary Grammy and Oscar® winning composer and lyricist Stephen Schwartz and book by Winnie Holzman, from the bestselling novel by Gregory Maguire. The screenplay is by Winnie Holzman and Winnie Holzman & Dana Fox. The film score is by John Powell & Stephen Schwartz, with music and lyrics by Stephen Schwartz.
Doodle your way into our fortnightly Cartooning Club, where pencils fly and creativity soars! These sessions are designed to give cartoonists a forum to share, discuss, and develop their work in a supportive environment. Through guided discussion, fun drawing exercises, and constructive feedback, you'll have the chance to level up your cartoon game – plus enjoy a dedicated time and place to draw every other week. Absolute beginners are just as welcome as seasoned sketchers! Whether you've been nurturing a character concept, have a strip you're itching to develop, or simply want to spend time with fellow cartoon enthusiasts, our Club offers both community and that gentle nudge of accountability to make sure you actually draw! Come see where your pencil might take you! Hosted by Rob Middleton, a cartoonist and teacher of cartooning. Programmed in partnership with The Sir John Hurt Film Trust.
Join Cinderella, Buttons and some funny new characters for a story that celebrates finding your thing! Sparkling with CBeebies’ stars, this unique adaption of a pantomime classic is full of music, magic and festive fun for all the family - plus a song exclusive to cinemas!
From visionary British director Gurinder Chadha (Bend It Like Beckham, Blinded By The Light), CHRISTMAS KARMA sees ones of history’s greatest novels - Charles Dickens’ A Christmas Carol transformed into a joyous, colourful, feel-good Christmas musical that celebrates modern-day London and all of its communities and cultures. Starring Kunal Nayyar, Eva Longoria, Billy Porter, Boy George, Danny Dyer, Leo Suter, Pixie Lott, Charithra Chandran and Hugh Bonneville. Featuring music from Gary Barlow, Nitin Sawhney, Shaznay Lewis, Ben Cullum, Panjabi MC, Jassi Sidhu and Malkit Singh the film features an eclectic soundtrack influenced by gospel, bhangra, carols, rap and classic pop songs. You will not be able to sit still! Told from Chadha’s unique point of view and in her own distinctive style, the film resonates with Dickens’ masterful statement on the human condition, exploring themes of prejudice, acceptance, reconciliation, identity and belonging. Inspired by Frank Capra’s timeless ‘It’s A Wonderful Life’, CHRISTMAS KARMA is a festive British classic for our times, and for generations to come, that promotes a strong message to be kind, choose love and celebrate the present.
After being neglected by his parents, juvenile Antonie quits school, leaves his home and gets involved in petty crimes across Paris. He wanders the streets of Paris, discovering the city like never before. Our post-screening session will explore how Truffaut captured truth without losing cinematic style and how the line between fiction and autobiography can spark something electric. We’ll look at how location, camera movement, and performance can create authenticity, and how to use your own life as a creative starting point without simply retelling it. We’ll also dive into why The 400 Blows became such a cornerstone of the French New Wave, and how the movement itself reshaped cinema by breaking away from tradition. Cinema // After is a new screening and discussion series at Picturehouse Liverpool, created by Let’s Make Films for anyone who loves cinema and wants to see it in new ways. Each event starts with a film that broke boundaries; visually, structurally, or emotionally. After the screening, we stay in the cinema for an interactive session led by the Let’s Make Films team. This is where we explore how the film was made, the choices behind it, and why it works the way it does. You’ll hear insights, share ideas, and take part in open conversation about the film’s craft and impact. The sessions are designed for filmmakers, writers, artists, and anyone curious about storytelling. You’ll come away with practical tools, fresh perspectives, and a stronger understanding of how films can shape the way we create and think. This isn’t a lecture or a formal class. Instead, we’re creating a relaxed space for discussion, creative thinking, and learning from each other. Whether you make films yourself or simply want to deepen your love for them, Cinema // After offers a chance to watch great cinema and leave inspired with your local community. So, come and watch the film. Be part of the discussion and see stories differently.
Dolly Mavies is an ethereal post-folk artist hailing from Oxfordshire, known for blending folk’s heartfelt storytelling with rock’s driving rhythms and an atmosphere that’s both haunting and electric. They create a unique sonic tapestry that channels the energy of Fleetwood Mac, the ethereal intensity of Florence and the Machine, and the emotional depth of Daughter. For fans of Ben Howard "One of my favourites" - BBC 6 Music Tom Robinson "Is Dolly Mavies Oxfords 'next big thing!?' Without a doubt!" - Nightshift Magazines "One of the best debut albums I've heard in a long time!" - OMS "You can hear quality as soon as she starts" - absolute radio Played Glastonbury 2024 Supported Sophie Ellis Bextor, Gabrielle, Mel C, Rae Morris, Tom Robinson, Tenille Townes New single In Your Head 3 October 2025
Finsbury Park's Club Room is a welcoming, social event space with cabaret-style seating and tables, ready for you to enjoy a curated food and drink menu. Doors will open 30 minutes before your event's advertised start time, leaving plenty of time to get comfortable and place any orders. Please be aware that table service will take place during your event, and that as each table seats four, you may be seated with other guests. ----- Sam Nicoresti is a multi-award-winning comedian from Birmingham known for her shows about body horror, cosmic dread, fever dreams, frogs, and skirt suits. She uses she/they pronouns, which means sometimes she ‘theys’ and sometimes they ‘she’. This is confusing for both the media and their parents, but that’s neither her nor their. Sam broke into standup after winning Leicester Square Theatre New Comedian of the Year in 2021. Since then she has released her highly-acclaimed debut art-comedy special Wokeflake, and was nominated for Best Compere at the Chortle Awards 2024. Her second show Baby Doomer was nominated for Best Show at Leicester Comedy Festival 2025 before going on to win the prestigious Edinburgh Comedy Award for Best Show at that year’s Edinburgh Fringe. Sam started making shows as part of the northern alternative scene alongside double-act partner Tom Burgess as Sam & Tom, and has been a prominent member of collectives The Glang Show and Weirdos, as well as being involved in the panel-prize winning Iraq: Out & Loud project. Behind the public persona lies a private citizen who likes cats, music, and having a quiet drink in the corner of the pub on a Wednesday night. Samira Banks is an exciting new comedic talent of middle eastern heritage. She has been making waves on the UK circuit since bursting on to the scene winning the prestigious So You Think You’re Funny? Competition in 2023 and has been a finalist in competitions such as the Leicester Square New Comedian of the Year and appeared on TV as part of the BBC New Comedy Awards. Shas acted as tour support for well known acts including Michael Odewale, Ali Woods and Eshaan Akbar. A personal highlight for her this year was opening for Stephen Merchant’s WIP. Samira has appeared at the BBC Comedy Festival, the Kilkenny Comedy Festival and Latitude Festival. Her razor sharp wit paired with her unique perspective are sure to make her a household name – and she continues to leave the audience in stitches with her dead pan delivery and devastating punchlines that seem to come from nowhere. Samira is fluent in German and Spanish and often does Spanish speaking gigs having opened for Netflix’s Sofia Niño de Rivera at the Clapham Grand. She carries her talents beyond the stage by writing for BBC Radio 4’s, The News Quiz. She has also written comedy sketches for commercial advertising campaigns. Tom is an award winning comedian from London. He has appeared on ‘Live at The Apollo’, ‘Live from The BBC,’ ‘QI’ (BBC), ‘Roast Battle’, ‘Stand up Central’, ‘Live From The Comedy Store’ (Comedy Central) and twice on 'The Stand Up Sketch Show' (ITV2). He fronted 'Funraisers' for Channel 4 digital – billed as 'a charity shop Taskmaster' where contestants compete in challenges based in and around a charity shop. It's available to watch on Youtube now. He has previously presented the LAD Bible series ‘In My Personal Space’, interviewing celebs such as Kyle Walker, Lady Leeshurr and Jamie Laing and 'No Instructions' with JackMate. He has supported Jack Whitehall, Ricky Gervais, Joe Lycett, Sindhu Vee & Jason Manford on tour and is currently on his second UK tour with his fifth hour show 'Choose Your Delusion'.
Last year’s global cinematic cultural sensation, which became the most successful Broadway film adaptation of all time, now reaches its epic, electrifying, emotional conclusion in Wicked: For Good. Directed once again by award-winning director Jon M. Chu and starring the spectacular returning cast, led by Academy Award® nominated superstars Cynthia Erivo and Ariana Grande, the final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. Under the instruction of Madame Morrible (Oscar® winner Michelle Yeoh), Glinda is deployed to serve as an effervescent comfort to Oz, reassuring the masses that all is well under the rule of The Wizard. As Glinda’s stardom expands and she prepares to marry Prince Fiyero (Olivier award winner and Emmy and SAG nominee Jonathan Bailey) in a spectacular Ozian wedding, she is haunted by her separation from Elphaba. She attempts to broker a conciliation between Elphaba and The Wizard, but those efforts will fail, driving Elphaba and Glinda only further apart. The aftershocks will transform Boq (Tony nominee Ethan Slater) and Fiyero forever, and threaten the safety of Elphaba’s sister, Nessarose (Marissa Bode), when a girl from Kansas comes crashing into all their lives. As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good. Wicked: For Good also stars Emmy nominee Bowen Yang and Bronwyn James as Glinda’s fawning assistants, Pfannee and ShenShen and BAFTA and Grammy nominee Sharon D. Clarke (Caroline, or Change) as the voice of Elphaba’s childhood nanny, Dulcibear. The film is produced by returning Tony and Emmy winning powerhouse Marc Platt p.g.a. and by multiple Tony winner David Stone. The executive producers are Stephen Schwartz, David Nicksay, Jared LeBoff, Winnie Holzman and Dana Fox. The first film, Wicked, released in November 2024, earned 10 Academy Award® nominations, including Best Picture, and won the Oscars® for Costume Design and Production Design. To date, the film has grossed $750 million worldwide. Wicked: For Good is based on the generation-defining musical stage play with music and lyrics by legendary Grammy and Oscar® winning composer and lyricist Stephen Schwartz and book by Winnie Holzman, from the bestselling novel by Gregory Maguire. The screenplay is by Winnie Holzman and Winnie Holzman & Dana Fox. The film score is by John Powell & Stephen Schwartz, with music and lyrics by Stephen Schwartz.
Get cosy and craft away over a classic film! You’re welcome to bring your crafts into this screening (crochet, knitting, drawing, etc.) and work on them while the film is playing. Please note the lights will be left on during this film. Please do not bring paint or any craft that may cause damage for this screening - thank you! Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki and Mei, two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life.
Get cosy and craft away over a classic film! You’re welcome to bring your crafts into this screening (crochet, knitting, drawing etc) and work on them whilst the film is playing. Please note the lights will be left on during this fillm. Please do not bring paint or any craft that may cause damage for this screening - thank you! Last year’s global cinematic cultural sensation, which became the most successful Broadway film adaptation of all time, now reaches its epic, electrifying, emotional conclusion in Wicked: For Good. Directed once again by award-winning director Jon M. Chu and starring the spectacular returning cast, led by Academy Award® nominated superstars Cynthia Erivo and Ariana Grande, the final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. Under the instruction of Madame Morrible (Oscar® winner Michelle Yeoh), Glinda is deployed to serve as an effervescent comfort to Oz, reassuring the masses that all is well under the rule of The Wizard. As Glinda’s stardom expands and she prepares to marry Prince Fiyero (Olivier award winner and Emmy and SAG nominee Jonathan Bailey) in a spectacular Ozian wedding, she is haunted by her separation from Elphaba. She attempts to broker a conciliation between Elphaba and The Wizard, but those efforts will fail, driving Elphaba and Glinda only further apart. The aftershocks will transform Boq (Tony nominee Ethan Slater) and Fiyero forever, and threaten the safety of Elphaba’s sister, Nessarose (Marissa Bode), when a girl from Kansas comes crashing into all their lives. As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good. Wicked: For Good also stars Emmy nominee Bowen Yang and Bronwyn James as Glinda’s fawning assistants, Pfannee and ShenShen and BAFTA and Grammy nominee Sharon D. Clarke (Caroline, or Change) as the voice of Elphaba’s childhood nanny, Dulcibear. The film is produced by returning Tony and Emmy winning powerhouse Marc Platt p.g.a. and by multiple Tony winner David Stone. The executive producers are Stephen Schwartz, David Nicksay, Jared LeBoff, Winnie Holzman and Dana Fox. The first film, Wicked, released in November 2024, earned 10 Academy Award® nominations, including Best Picture, and won the Oscars® for Costume Design and Production Design. To date, the film has grossed $750 million worldwide. Wicked: For Good is based on the generation-defining musical stage play with music and lyrics by legendary Grammy and Oscar® winning composer and lyricist Stephen Schwartz and book by Winnie Holzman, from the bestselling novel by Gregory Maguire. The screenplay is by Winnie Holzman and Winnie Holzman & Dana Fox. The film score is by John Powell & Stephen Schwartz, with music and lyrics by Stephen Schwartz.
In a forgotten patch of countryside, a woman is battling her demons: embracing exclusion yet wanting to belong, craving freedom whilst feeling trapped, yearning for family life but wanting to burn the entire house down. Given surprising leeway by her family for her increasingly erratic behavior, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the brutality of another person carrying your heart forever.
We are happy for you to bring your dog along to this special dog-friendly screening (you're welcome without a dog too). Before the screening there are a few things to consider: If you attend this screening with a dog, you'll be issued with a fleece blanket to cover the seat used by the dog or to use as a rug if the dog sits on the floor. During the screenings, we will provide bowls of water around the screen. We will leave lighting levels a little higher than usual during the screening and lower the volume of the soundtrack. Please be aware that we reduce capacity when offering ‘dog-friendly’ screenings, so there may be fewer tickets than usual. We limit dogs to: one dog to one adult. For further information, see dog-friendly screening policy in our cinema. 1916. As war rages on the Western Front, the Choral Society in Ramsden, Yorkshire has lost most of its men to the army. The Choral’s ambitious committee, determined to press ahead, decides to recruit local young males to swell their ranks. They must also engage a new chorus master, and despite their suspicions that he has something to hide, their best bet seems to be Dr. Henry Guthrie (Ralph Fiennes) – driven, uncompromising, and recently returned from a career in Germany. As conscription papers start to arrive, the whole community discovers that the best response to the chaos that is laying waste to their lives is to make music together. Directed by BAFTA, Olivier and Tony Award winner NICHOLAS HYTNER (The Crucible) and written by BAFTA, Olivier and Tony Award winner ALAN BENNETT, The Choral marks their fourth writer-director collaboration following the acclaimed films The Madness of King George, The History Boys, and The Lady in The Van.
We are happy for you to bring your dog along to this special dog-friendly screening (you're welcome without a dog too). Before the screening there are a few things to consider: If you attend this screening with a dog, you'll be issued with a fleece blanket to cover the seat used by the dog or to use as a rug if the dog sits on the floor. During the screenings, we will provide bowls of water around the screen. We will leave lighting levels a little higher than usual during the screening and lower the volume of the soundtrack. Please be aware that we reduce capacity when offering ‘dog-friendly’ screenings, so there may be fewer tickets than usual. We limit dogs to: one dog to one adult. For further information, see dog-friendly screening policy in our cinema. Last year’s global cinematic cultural sensation, which became the most successful Broadway film adaptation of all time, now reaches its epic, electrifying, emotional conclusion in Wicked: For Good. Directed once again by award-winning director Jon M. Chu and starring the spectacular returning cast, led by Academy Award® nominated superstars Cynthia Erivo and Ariana Grande, the final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. Under the instruction of Madame Morrible (Oscar® winner Michelle Yeoh), Glinda is deployed to serve as an effervescent comfort to Oz, reassuring the masses that all is well under the rule of The Wizard. As Glinda’s stardom expands and she prepares to marry Prince Fiyero (Olivier award winner and Emmy and SAG nominee Jonathan Bailey) in a spectacular Ozian wedding, she is haunted by her separation from Elphaba. She attempts to broker a conciliation between Elphaba and The Wizard, but those efforts will fail, driving Elphaba and Glinda only further apart. The aftershocks will transform Boq (Tony nominee Ethan Slater) and Fiyero forever, and threaten the safety of Elphaba’s sister, Nessarose (Marissa Bode), when a girl from Kansas comes crashing into all their lives. As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good. Wicked: For Good also stars Emmy nominee Bowen Yang and Bronwyn James as Glinda’s fawning assistants, Pfannee and ShenShen and BAFTA and Grammy nominee Sharon D. Clarke (Caroline, or Change) as the voice of Elphaba’s childhood nanny, Dulcibear. The film is produced by returning Tony and Emmy winning powerhouse Marc Platt p.g.a. and by multiple Tony winner David Stone. The executive producers are Stephen Schwartz, David Nicksay, Jared LeBoff, Winnie Holzman and Dana Fox. The first film, Wicked, released in November 2024, earned 10 Academy Award® nominations, including Best Picture, and won the Oscars® for Costume Design and Production Design. To date, the film has grossed $750 million worldwide. Wicked: For Good is based on the generation-defining musical stage play with music and lyrics by legendary Grammy and Oscar® winning composer and lyricist Stephen Schwartz and book by Winnie Holzman, from the bestselling novel by Gregory Maguire. The screenplay is by Winnie Holzman and Winnie Holzman & Dana Fox. The film score is by John Powell & Stephen Schwartz, with music and lyrics by Stephen Schwartz.
Last year’s global cinematic cultural sensation, which became the most successful Broadway film adaptation of all time, now reaches its epic, electrifying, emotional conclusion in Wicked: For Good. Directed once again by award-winning director Jon M. Chu and starring the spectacular returning cast, led by Academy Award® nominated superstars Cynthia Erivo and Ariana Grande, the final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. Under the instruction of Madame Morrible (Oscar® winner Michelle Yeoh), Glinda is deployed to serve as an effervescent comfort to Oz, reassuring the masses that all is well under the rule of The Wizard. As Glinda’s stardom expands and she prepares to marry Prince Fiyero (Olivier award winner and Emmy and SAG nominee Jonathan Bailey) in a spectacular Ozian wedding, she is haunted by her separation from Elphaba. She attempts to broker a conciliation between Elphaba and The Wizard, but those efforts will fail, driving Elphaba and Glinda only further apart. The aftershocks will transform Boq (Tony nominee Ethan Slater) and Fiyero forever, and threaten the safety of Elphaba’s sister, Nessarose (Marissa Bode), when a girl from Kansas comes crashing into all their lives. As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good. Wicked: For Good also stars Emmy nominee Bowen Yang and Bronwyn James as Glinda’s fawning assistants, Pfannee and ShenShen and BAFTA and Grammy nominee Sharon D. Clarke (Caroline, or Change) as the voice of Elphaba’s childhood nanny, Dulcibear. The film is produced by returning Tony and Emmy winning powerhouse Marc Platt p.g.a. and by multiple Tony winner David Stone. The executive producers are Stephen Schwartz, David Nicksay, Jared LeBoff, Winnie Holzman and Dana Fox. The first film, Wicked, released in November 2024, earned 10 Academy Award® nominations, including Best Picture, and won the Oscars® for Costume Design and Production Design. To date, the film has grossed $750 million worldwide. Wicked: For Good is based on the generation-defining musical stage play with music and lyrics by legendary Grammy and Oscar® winning composer and lyricist Stephen Schwartz and book by Winnie Holzman, from the bestselling novel by Gregory Maguire. The screenplay is by Winnie Holzman and Winnie Holzman & Dana Fox. The film score is by John Powell & Stephen Schwartz, with music and lyrics by Stephen Schwartz.
In this remake of the classic 1932 horror film, Brendan Fraser stars as Rick O'Connell, an American mercenary who leads a treasure-seeking expedition to the Sahara Desert in 1925, only to stumble upon an ancient tomb where he unwittingly sets loose the reincarnation of an Egyptian priest who had been sentenced to an eternity of living death 3,000 years ago.
Five years in production, this is the most extensive film ever made about one of the greatest artists of all time – Caravaggio. Featuring masterpiece after masterpiece and with first-hand testimony from the artist himself on the eve of his mysterious death, this beautiful new film reveals Caravaggio as never before. Multi-award-winning film makers Phil Grabsky and David Bickerstaff delve into the hidden narratives of Caravaggio’s life, piecing together clues embedded within his incredible art. The intriguing self- depictions within his works – sometimes disguised, sometimes in plain sight – offer a rare window into his psyche and personal struggles. Caravaggio’s masterpieces are some of art’s most instantly recognisable. No one else uses his signature blend of dramatic light, intense naturalism and bold, striking figures. His incredible paintings have captivated audiences for centuries. But there lies a deeper mystery – one that still beckons us to explore. What do these masterpieces reveal about the man behind the brush? Join us as we explore the many clues that help us to finally understand the life – and death – of this remarkable man.
Jacob Elordi, Oscar Isaac, Mia Goth and Christoph Waltz shine in Guillermo del Toro’s imaginative and elemental retelling of Mary Shelley’s groundbreaking novel.
Resident DJs Leslie Michel, Akin Shenbanjo Jnr & Fitzroy (Soul Survivors) spinning an eclectic selection of jazz, funk, soul, latin & boogie grooves old & new for those who like to dance it freestyle on a wooden dance floor.
David, a jaded, aging raver from Bristol, heads to a final Rave in rural Hereford, seeking one last taste of freedom. But when he stumbles upon a drug dealer suffering a seizure in the car park, temptation wins: David robs the man of his stash and flees into the night. Just as he teeters on the edge of surrender, a stray dog appears. Clinging to hope, David tries to convince it to seek help. The dog vanishes into the trees, leaving David alone with his growing despair. Speeding through the dark countryside, David’s car crashes violently deep within an isolated woodland, flipping onto its roof. Trapped, wounded, and desperate, he fights to free himself — but every attempt ends in failure. In agony and despair, David turns to the stolen drugs to numb his pain. Hours blur into hallucinations — until the dog returns, not to save him, but to savagely attack. In a frantic struggle, David kills the animal in a gruesome act of survival, then slips into unconsciousness. At dawn, David awakens bloodied and broken — and realizes he’s not alone. Watching him silently is the dog’s owner: a cold-eyed poacher, whose intentions are anything but merciful. David’s battle for survival has only just begun.
From three-time Oscar® nominee and Golden Globe winner Dean DeBlois, the creative visionary behind DreamWorks Animation’s acclaimed How to Train Your Dragon trilogy, comes a stunning live-action reimagining of the film that launched the beloved franchise. On the rugged isle of Berk, where Vikings and dragons have been bitter enemies for generations, Hiccup (Mason Thames; The Black Phone, For All Mankind) stands apart. The inventive yet overlooked son of Chief Stoick the Vast (Gerard Butler, reprising his voice role from the animated franchise), Hiccup defies centuries of tradition when he befriends Toothless, a feared Night Fury dragon. Their unlikely bond reveals the true nature of dragons, challenging the very foundations of Viking society. With the fierce and ambitious Astrid (BAFTA nominee Nico Parker; Dumbo, The Last of Us) and the village’s quirky blacksmith Gobber (Nick Frost; Snow White and the Huntsman, Shaun of the Dead) by his side, Hiccup confronts a world torn by fear and misunderstanding. As an ancient threat emerges, endangering both Vikings and dragons, Hiccup’s friendship with Toothless becomes the key to forging a new future. Together, they must navigate the delicate path toward peace, soaring beyond the boundaries of their worlds and redefining what it means to be a hero and a leader.
I Swear follows the true story of Tourette Syndrome campaigner John Davidson's journey with Tourette's through his troubled teens and early adulthood, having been diagnosed at 15 years old in 1980s Britain - a time when the condition was little known and entirely misunderstood. Initially alienated from his peers and his family, Davidson perseveres in his attempt to live a 'normal' life against the odds, finding some unlikely champions along the way.
JAY KELLY, the new film from Academy Award nominee Noah Baumbach, follows famous movie actor, Jay Kelly (George Clooney), as he embarks on a journey of self discovery confronting both his past and present, accompanied by his devoted manager Ron (Adam Sandler). Poignant and humor filled, epic and intimate, JAY KELLY is pitched at the intersection of life's regrets and notable glories.
A veil abruptly descends over the busy Shibuya area amid the bustling Halloween crowds, trapping countless civilians inside. Satoru Gojo, the strongest jujutsu sorcerer, steps into the chaos. But lying in wait are curse users and spirits scheming to seal him away. Yuji Itadori, accompanied by his classmates and other top-tier jujutsu sorcerers, enters the fray in an unprecedented clash of curses — the Shibuya Incident. In the aftermath, ten colonies across Japan are transformed into dens of curses in a plan orchestrated by Noritoshi Kamo, the most wicked sorcerer in history. As the deadly Culling Game starts, Special Grade sorcerer Yuta Okkotsu is assigned to carry out Yuji’s execution for his perceived crimes. The desperate confrontation between Satoru Gojo’s two beloved students comes to the big screen with an early preview. Be the first to experience Yuji and Yuta’s fateful battle with the hotly anticipated kickoff to Season 3 in theatres nationwide.
Gloria Swanson as Norma Desmond, an aging silent film queen, and William Holden as the struggling writer who is held in thrall by her madness, created two of the screen's most memorable characters in Sunset Boulevard. Winner of three Academy Awards., director Billy Wilder's orchestration of the bizarre tale is a true cinematic classic. From the unforgettable opening sequence through the inevitable unfolding of tragic destiny, the film is the definitive statement on the dark and desperate side of Hollywood. Erich von Stroheim as Desmond's discoverer, ex-husband and butler, and Nancy Olson as the bright spot in unrelenting ominousness, are equally celebrated for their masterful performances. Part of David Lynch's Dream Theatre, a year-long tribute to an artist from another place. Our monthly screening of a Lynch masterpiece will also be paired with one film cited as an inspiration.
A young woman's husband apparently commits suicide without warning or reason, leaving behind his wife and infant.
ACT I Vienna, 1860. In the Waldners’ hotel suite, Countess Adelaide von Waldner consults a fortuneteller about the family’s financial crisis. The cards predict a rich marriage for their beautiful daughter Arabella, which would get the family out of debt, but the fortuneteller sees danger from a second daughter. Adelaide admits that their “son,” “Zdenko,” who has been warding off creditors at the door, is in fact a girl, Zdenka, who has been brought up as a boy to save the family the ruinous expense of introducing two daughters into society. Adelaide and the fortuneteller leave and Zdenka, alone, laments the family’s situation. She fears they will have to leave Vienna and she will never see Matteo again, a young lieutenant and one of her sister’s suitors whom Zdenka has fallen in love with. To keep him happy, she has been writing him love letters in Arabella’s hand. Suddenly Matteo appears and asks his best friend, “Zdenko,” to help him win Arabella—otherwise he will shoot himself. Then he rushes off, leaving Zdenka desperate. Arabella returns from a walk to find presents from her three other suitors, Counts Elemer, Dominik, and Lamoral. Although Zdenka loves Matteo, she begs her sister to favor him so he will not be heartbroken. Arabella replies that the right man for her hasn’t appeared yet—she knows that once he does, she’ll recognize him. Elemer arrives to invite Arabella for a sleigh ride. Before she goes off to change, she notices a stranger outside the window whom she had seen earlier that morning. The two girls leave as Count Waldner enters and tells his wife that as a last resort he sent a photograph of Arabella to a rich old friend and fellow officer, Mandryka, hoping he would marry her. A few moments later Mandryka himself is announced—in fact, not the old Croatian friend, who has died, but his nephew and heir. The younger Mandryka has fallen in love with Arabella’s portrait and sold one of his forests in Slavonia to come to Vienna and ask for her hand. He lends the stunned Waldner some money, then leaves with the promise of an introduction later in the day. Waldner sets off to gamble with his newfound wealth. Matteo returns and Zdenka promises him she will have another letter from her sister that evening at the Coachmen’s Ball. Arabella, alone, reflects on the decision she has to make, her thoughts turning to the stranger she saw in the street. When Zdenka returns, the sisters go off to their sleigh ride. ACT II In the foyer of the ballroom, Waldner introduces Arabella to Mandryka, who turns out to be her fascinating stranger. Their meeting begins awkwardly as Mandryka, not used to Viennese society, feels he doesn’t find the right words, but Arabella is instantly attracted by his honest and straightforward manner—it is love at first sight. Mandryka tells of his young wife who died, of his lands, and the Slavonian custom of a girl pledging her engagement by presenting her future husband with a glass of water. Arabella returns his declaration of love but asks for one last evening to bid farewell to her girlhood. The coachmen’s mascot, the Fiakermilli, enters accompanied by her admirers and names Arabella queen of the ball. Mandryka orders champagne for everyone and steps aside as Arabella bids goodbye to Dominik, Elemer, and Lamoral. Meanwhile Matteo pleads desperately with Zdenka for some sign of Arabella’s professed love. Zdenka presses a key into his hands, telling him it opens the door next to Arabella’s bedroom, and that Arabella will meet him there later this evening. Mandryka, who has overheard the conversation, is appalled. Furious, he orders more champagne, drinks recklessly, and flirts with the Fiakermilli. Waldner appears, demanding to know what’s going on, and Adelaide explains that Arabella has gone home. Assuming there must be some sort of misunderstanding, Waldner convinces Mandryka to return with him to the hotel at once. ACT III Arabella enters the hotel lobby, dreamily thinking about her future life. Matteo, who has just spent some time in a dark room with someone he thought was Arabella, is amazed to find her there and can’t make sense of her cool cordiality. Mandryka arrives with the Waldners. Recognizing Matteo as the person who was given the key, he is convinced of Arabella’s betrayal despite her protestations of innocence. His behavior leads Waldner to demand satisfaction. Suddenly Zdenka comes running down the stairs in a nightgown. Overcome with shame, she confesses she gave herself to Matteo to avert a worse disaster. While her shocked parents forgive her, Matteo happily realizes that something didn’t add up from the beginning and that he is in love with Zdenka. Mandryka, though mortally ashamed, quickly takes charge of the situation and asks Waldner for Zdenka’s hand on Matteo’s behalf. As the others retire to their quarters, Arabella asks Mandryka to have his servant bring a glass of water to her room. Left alone and unable to forgive himself for his lack of trust in Arabella, Mandryka despondently wonders how she feels about him now that she left without even saying goodnight. As he is about to leave, Arabella appears at the top of the stairs, water glass in hand. She forgives Mandryka, and they renew their promise of love.
ACT I Vienna, 1860. In the Waldners’ hotel suite, Countess Adelaide von Waldner consults a fortuneteller about the family’s financial crisis. The cards predict a rich marriage for their beautiful daughter Arabella, which would get the family out of debt, but the fortuneteller sees danger from a second daughter. Adelaide admits that their “son,” “Zdenko,” who has been warding off creditors at the door, is in fact a girl, Zdenka, who has been brought up as a boy to save the family the ruinous expense of introducing two daughters into society. Adelaide and the fortuneteller leave and Zdenka, alone, laments the family’s situation. She fears they will have to leave Vienna and she will never see Matteo again, a young lieutenant and one of her sister’s suitors whom Zdenka has fallen in love with. To keep him happy, she has been writing him love letters in Arabella’s hand. Suddenly Matteo appears and asks his best friend, “Zdenko,” to help him win Arabella—otherwise he will shoot himself. Then he rushes off, leaving Zdenka desperate. Arabella returns from a walk to find presents from her three other suitors, Counts Elemer, Dominik, and Lamoral. Although Zdenka loves Matteo, she begs her sister to favor him so he will not be heartbroken. Arabella replies that the right man for her hasn’t appeared yet—she knows that once he does, she’ll recognize him. Elemer arrives to invite Arabella for a sleigh ride. Before she goes off to change, she notices a stranger outside the window whom she had seen earlier that morning. The two girls leave as Count Waldner enters and tells his wife that as a last resort he sent a photograph of Arabella to a rich old friend and fellow officer, Mandryka, hoping he would marry her. A few moments later Mandryka himself is announced—in fact, not the old Croatian friend, who has died, but his nephew and heir. The younger Mandryka has fallen in love with Arabella’s portrait and sold one of his forests in Slavonia to come to Vienna and ask for her hand. He lends the stunned Waldner some money, then leaves with the promise of an introduction later in the day. Waldner sets off to gamble with his newfound wealth. Matteo returns and Zdenka promises him she will have another letter from her sister that evening at the Coachmen’s Ball. Arabella, alone, reflects on the decision she has to make, her thoughts turning to the stranger she saw in the street. When Zdenka returns, the sisters go off to their sleigh ride. ACT II In the foyer of the ballroom, Waldner introduces Arabella to Mandryka, who turns out to be her fascinating stranger. Their meeting begins awkwardly as Mandryka, not used to Viennese society, feels he doesn’t find the right words, but Arabella is instantly attracted by his honest and straightforward manner—it is love at first sight. Mandryka tells of his young wife who died, of his lands, and the Slavonian custom of a girl pledging her engagement by presenting her future husband with a glass of water. Arabella returns his declaration of love but asks for one last evening to bid farewell to her girlhood. The coachmen’s mascot, the Fiakermilli, enters accompanied by her admirers and names Arabella queen of the ball. Mandryka orders champagne for everyone and steps aside as Arabella bids goodbye to Dominik, Elemer, and Lamoral. Meanwhile Matteo pleads desperately with Zdenka for some sign of Arabella’s professed love. Zdenka presses a key into his hands, telling him it opens the door next to Arabella’s bedroom, and that Arabella will meet him there later this evening. Mandryka, who has overheard the conversation, is appalled. Furious, he orders more champagne, drinks recklessly, and flirts with the Fiakermilli. Waldner appears, demanding to know what’s going on, and Adelaide explains that Arabella has gone home. Assuming there must be some sort of misunderstanding, Waldner convinces Mandryka to return with him to the hotel at once. ACT III Arabella enters the hotel lobby, dreamily thinking about her future life. Matteo, who has just spent some time in a dark room with someone he thought was Arabella, is amazed to find her there and can’t make sense of her cool cordiality. Mandryka arrives with the Waldners. Recognizing Matteo as the person who was given the key, he is convinced of Arabella’s betrayal despite her protestations of innocence. His behavior leads Waldner to demand satisfaction. Suddenly Zdenka comes running down the stairs in a nightgown. Overcome with shame, she confesses she gave herself to Matteo to avert a worse disaster. While her shocked parents forgive her, Matteo happily realizes that something didn’t add up from the beginning and that he is in love with Zdenka. Mandryka, though mortally ashamed, quickly takes charge of the situation and asks Waldner for Zdenka’s hand on Matteo’s behalf. As the others retire to their quarters, Arabella asks Mandryka to have his servant bring a glass of water to her room. Left alone and unable to forgive himself for his lack of trust in Arabella, Mandryka despondently wonders how she feels about him now that she left without even saying goodnight. As he is about to leave, Arabella appears at the top of the stairs, water glass in hand. She forgives Mandryka, and they renew their promise of love.
Beautiful, bizarre and strangely addictive, the film begins as a botched hit which results in the meeting of brunette amnesiac Rita (Laura Harring – Love in the Time of Cholera) and blonde would-be Hollywood actress Betty (Naomi Watts – Birdman, 21 Grams). Taking the viewer on a memorable neo-noir trip through Hollywood’s dark underbelly, Lynch dispenses with a conventional narrative in favour of a hallucinogenic assault on the senses that will stay with you long after the credits roll. Recently voted the best film of the 21st Century in a BBC Culture poll, MULHOLLAND DRIVE is essential viewing by one of the masters of contemporary American cinema. David Lynch’s scary and seductive vision of Hollywood is a true masterpiece, weaving together a tale of love, jealousy, and revenge like no other. Part of David Lynch's Dream Theatre, a year-long tribute to an artist from another place. Our monthly screening of a Lynch masterpiece will also be paired with one film cited as an inspiration.
Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland. After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend. Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London’s West End.
Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland. After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend. Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London’s West End.
The Four Horsemen return along with a new generation of illusionists performing mind-melding twists, turns, surprises, and magic unlike anything ever captured on film.
Oscar-nominated Rosamund Pike (Gone Girl, Saltburn) is Jessica in the much-anticipated next play from the team behind Prima Facie. Jessica Parks is a smart Crown Court Judge at the top of her career. Behind the robe, she is a karaoke fiend, a loving wife and a supportive parent. When an event threatens to throw her life completely off balance, can she hold her family upright? Writer Suzie Miller and director Justin Martin reunite following their global phenomenon Prima Facie, with this searing examination of modern motherhood and masculinity. Inter Alia contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy. Please update your listings and add this warning for your viewers where relevant.
In the immediate aftermath of the Second World War, as the world grapples with the unveiled horrors of the Holocaust, U.S. Army psychiatrist Lt. Col. Douglas Kelley (Rami Malek) is assigned the extraordinary task of assessing the mental state of Hermann Göring (Russell Crowe), the notorious former Reichsmarschall and Hitler’s second in command, along with other high ranking Nazi officials. As the Allies – led by the unyielding chief U.S. prosecutor, Supreme Court Justice Robert H. Jackson (Michael Shannon) alongside Sgt. Howie Triest (Leo Woodall), David Maxwell-Fyfe (Richard E. Grant), Gustave Gilbert (Colin Hanks), Col. John Amen (Mark O’Brien) and Burton C. Andrus (John Slattery) – navigate the monumental task of creating an unprecedented international tribunal to ensure the Nazi regime answers for its atrocities, Kelley gets to know his ‘patients’. But he soon finds himself locked in a psychological duel with Göring, whose charisma and cunning reveal a sobering truth: that ordinary men can commit extraordinary evil.
Leonardo DiCaprio and Teyana Taylor star in Paul Thomas Anderson’s much anticipated period satire. When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunites to rescue one of their own's daughter.
In 1936, as Palestinian villages revolt against British colonial rule, Yusuf navigates between Jerusalem and his rural home, amidst escalating unrest and a pivotal moment for the British Empire.
Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts the role despite reservations from her manager. However, the backlash from fans over her career change and a strange website called 'Mima's Room' written by a fake Mima begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead and all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.
During a rural summer picnic, a few students and a teacher from an Australian girls' school vanish without a trace. Their absence frustrates and haunts the people left behind.
20th Century Studios’ “Predator: Badlands,” directed by Dan Trachtenberg (“Prey”), opens exclusively in theaters November 7, 2025. The newest entry in the “Predator” franchise is set in the future on a remote planet, where a young Predator, outcast from his clan, finds an unlikely ally in Thia (Elle Fanning) and embarks on a treacherous journey in search of the ultimate adversary.
A cultural sensation from its inception in the early 2000s, Dateline NBC’s candid-camera investigative series To Catch a Predator ensnared sex offenders and lured them to a film set, where they would be interviewed and arrested while cameras rolled. The show was a hit and transformed its host Chris Hansen into a moral crusader and TV star, while spawning a worldwide industry of imitators and vigilantes. But why did we watch so voraciously — and why do we continue to devour its web-based, clickbait-driven offshoots? Looking back on the show and the countless franchises it spawned, filmmaker David Osit turns his camera on journalists, actors, law enforcers, academics, and ultimately himself, to trace America's obsession with watching people at their lowest. PREDATORS is a chilling, edge of your seat film that delves into the murk of human nature to observe hunter, predator, subject and spectator alike, all ensnared in a complicated web of entertainment as far as the eye can see.
Michio Okabe’s subversive underground film was shot on 16mm in Shinjuku in 1968, and documents the radical spirit of Japan’s creative and artistic scene in those years. Crazy Love is structured as a collage of diverse activities and performers, including a happening by avant-garde art group Zero Jigen (Zero Dimension), Genpei Akasegawa’s fake bill, a march by futen (hippies), and parodies of adverts and cinema entertainment. Okabe was influenced by Kenneth Anger’s Scorpio Rising but developed his own distinctly kitsch, camp aesthetic, which is fully in evidence here; the director himself appears onscreen, acting out roles including James Bond. Challenging established social norms and codes of sexual behaviour, Crazy Love is a testament both to a liberated, experimental moment in art and film, and to an iconoclastic filmmaker.
In Edhi Alice, director and queer activist Ilrhan Kim interrogates how documentaries about trans communities are made: the creative decisions, relationships, and ethical questions involved. The subject of the documentary is Edhi, who works as a counsellor for LGBTQ+ teens in Seoul, and has decided to undertake gender reassignment surgery. Edhi’s story intertwines with that of Alice, the lighting technician on the film crew and an older trans woman, who is preoccupied with challenging popular stereotypes about female and male bodies. This powerful and thought-provoking documentary refuses to compromise in its depiction of post-surgery recuperation, but offers an authentic portrayal of the trans experience and allyship in South Korea. Edhi Alice is a generous, delicate film and - courtesy of Alice’s lighting - a visually stunning one.
Two adolescent girls in Taiwan, both named Mei-li, meet when they get a job in a cinema box office. Chen Mei-li is from an affluent family, but does not get much warmth from her embittered father and selfish mother, while the father of Lin Mei-li, a construction worker, wants to spare his daughter from the hardships he has faced in life. The two girls begin to bond as they chat about family, work and school; but gradually, their conversations become more intimate. Released at a time when Taiwanese queer cinema was rising in prominence, this drama by award-winning director Lin Cheng-Sheng explores the complex connections between family, society, and the individual. Beautifully capturing the bittersweet essence of youth, this poignant coming-of-age story features sensitive performances from Liu Ruo-Ying and Jing Tseng.
Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out...With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love awaits. This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family and will transport you into an ethereal world where a sprinkling of fairy dust makes dreams come true.
Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.
We're delighted to welcome Nina Conti and Shenoah Allen for a live Q&A following this screening. Disappearing into a monkey costume and creating a new persona, Jane strives to break free from a toxic relationship when she encounters a suicidal radio show host, Roy, who presents a path to freedom. After hitting the open road in Roy's Airstream, the unlikely duo soon hatch a plan that could help finance a new life but could also land them in jail. Hot on their heels is Jane's controlling partner, Wade, who aims to put an end to Jane's newfound freedom.
After a comet disrupts the rain cycle of Earth, the planet has become a desolate, barren desert by the year 2033. With resources scarce, Kesslee has taken control of the water supply. Unwilling to cower under Kesslee's tyrannical rule, a pair of outlaws known as Tank Girl and Jet Girl rise up, joining the mysterious rebel Rippers to destroy the corrupt system.
1916. As war rages on the Western Front, the Choral Society in Ramsden, Yorkshire has lost most of its men to the army. The Choral’s ambitious committee, determined to press ahead, decides to recruit local young males to swell their ranks. They must also engage a new chorus master, and despite their suspicions that he has something to hide, their best bet seems to be Dr. Henry Guthrie (Ralph Fiennes) – driven, uncompromising, and recently returned from a career in Germany. As conscription papers start to arrive, the whole community discovers that the best response to the chaos that is laying waste to their lives is to make music together. Directed by BAFTA, Olivier and Tony Award winner NICHOLAS HYTNER (The Crucible) and written by BAFTA, Olivier and Tony Award winner ALAN BENNETT, The Choral marks their fourth writer-director collaboration following the acclaimed films The Madness of King George, The History Boys, and The Lady in The Van.
1970s. From her high mountain village, 15-year-old Jeanne dreams of leaving her childhood orphanage and discovering the world. Fleeing to the city of lights, she finds refuge in a shed. In the morning, the Snow Queen appears to her, dazzling. The shed turns out to be a studio where a film adapted from the Hans Christian Andersen fairy tale, The Snow Queen, is being shot. Cristina, the star, who embodies the Queen, reigns supreme on the set. Fascinated by this cruel woman with a disturbing charm, both powerful and vulnerable, Jeanne becomes her protege and her confidante as the trap closes in on her.
In a sedate corner of Massachusetts circa 1970, JB Mooney (Josh O’Connor) an unemployed carpenter turned amateur art thief, plans his first big heist. When things go haywire, his life unravels.
In a near-future society, The Running Man is the top-rated show on television—a deadly competition where contestants, known as Runners, must survive 30 days while being hunted by professional assassins, with every move broadcast to a bloodthirsty public and each day bringing a greater cash reward. Desperate to save his sick daughter, working-class Ben Richards (Glen Powell) is convinced by the show’s charming but ruthless producer, Dan Killian (Josh Brolin), to enter the game as a last resort. But Ben’s defiance, instincts, and grit turn him into an unexpected fan favourite—and a threat to the entire system. As ratings skyrocket, so does the danger, and Ben must outwit not just the Hunters but a nation addicted to watching him fall.
The story of highly gifted pianist and unsung hero, Nicky Hopkins, who played with the Beatles, the Rolling Stones, the Who, the Kinks and many more.
Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents' divorce in Brooklyn in the 1980s.
A young father's hold on reality crumbles following his wife’s death as a strange presence begins to stalk him from the shadowy recesses of the apartment he shares with his two young sons. This mysterious creature, known as “Crow”, seemingly brought to life from the pages of his work as an illustrator, becomes a very real part of all their lives, ultimately guiding them towards the new shape family must take. CONTAINS A SEQUENCE OF FLASHING LIGHTS WHICH MIGHT AFFECT CUSTOMERS WHO ARE SUSCEPTIBLE TO PHOTOSENSITIVE EPILEPSY
A bookish CIA researcher finds all his co-workers dead, and must outwit those responsible until he figures out who he can really trust.
Whether you’re a holiday maker exploring the city, or a Brightonian who wants to learn a little about their local history - a tour of the iconic Duke of York’s, the oldest purpose built cinema in the UK, is the perfect start to a day out in the city. As you’re shown around the cinema, you will learn the history of the building dating all the way back to 1910 and remarkable stories from over the course of 114 years that make it truly one of Brighton’s most beloved landmarks. There may even be a few ghost stories… Tours run every Monday, Tuesday, and Thursday at 10am. Spaces on each tour will be limited to ten people, but if a time slot reaches its full capacity we will put a following tour on at 11am the same day. If you are unable to make one of these times, you can email [email protected] to request a private tour. Please be aware that private tours will only be available for groups of four or more and may only be available on certain days. The tour is also available at a discounted rate for school class trips. If you are working with a school please use the email above to enquire for more information.
Fighting Back Dir. Sally Patterson | UK, 2025 | 5 mins | English Miriam, an Orthodox Jewish martial artist, fights to reclaim her confidence, resist rising antisemitism, and shatter expectations. A story of identity, courage and strength. Leaving Home Dir. Roland Denning | UK, 2025 | 5 mins | English Eighty-nine-year-old Denis Davis is about as British as any man could be. Born in the Jewish East End, he has lived in London pretty much all of his life. So why is he now leaving his beautiful house in Bushey, and starting all over again in a new country? Liorah Dirs. Marcos Wolodarsky, Michelle Wolodarsky | UK, 2025 | 5 mins | English Poetic and rhythmic, Liorah portrays rising art-world star, Liorah Tchiprout. She draws from her Jewish Ink Dir. Priya Basra | UK, 2025 | 5 mins | English A British-Jewish tattooist challenges stereotypes of Judaism and identity, using ink to reclaim his faith and redefine tradition on skin once marked by taboo. Primordial Dirs. Barney Pell Scholes, Daisy Abboudi | UK, 2025 | 5 mins | English Friendship that lasts a lifetime — Primordial Chicken Soup explores the deep connection formed between eight Scouse Jewish women who first met over fifty-five years ago. The Innocents Dir. Jonny Weinberg | 7 mins | UK, 2025 | English In two English cities with a shared, bloody history, the Jewish communities push for a more honest relationship with the past. To Fly or Float Directed by Charlotte Peters Written and produced by Olivia Maiden 15 mins | UK, 2025 | English Birmingham, 1979. An orphaned girl and her estranged uncle try to navigate their grief, connecting through faith, and the creation of a kite. Starring Ben Caplan Beshert Directed by Lewis Rose Written by Gary Enkin Produced by Jason Solomons and Naomi Gryn 15 mins | UK, 2025 | English A poignant, tender drama about a grumpy old man in a Leeds care home and a reluctant Barmitzvah boy — and the unlikely friendship that changes their lives forever. Starring Anton Lesser Orphaned Burial Grounds Dir. Jonny Weinberg | UK, 2024 | 4 mins | English Far from Britain’s big Jewish communities, forgotten burial grounds have become places for Jews to find each other and fight to preserve their overlooked heritage.
Fighting Back Dir. Sally Patterson | UK, 2025 | 5 mins | English Miriam, an Orthodox Jewish martial artist, fights to reclaim her confidence, resist rising antisemitism, and shatter expectations. A story of identity, courage and strength. Leaving Home Dir. Roland Denning | UK, 2025 | 5 mins | English Eighty-nine-year-old Denis Davis is about as British as any man could be. Born in the Jewish East End, he has lived in London pretty much all of his life. So why is he now leaving his beautiful house in Bushey, and starting all over again in a new country? Liorah Dirs. Marcos Wolodarsky, Michelle Wolodarsky | UK, 2025 | 5 mins | English Poetic and rhythmic, Liorah portrays rising art-world star, Liorah Tchiprout. She draws from her Jewish Ink Dir. Priya Basra | UK, 2025 | 5 mins | English A British-Jewish tattooist challenges stereotypes of Judaism and identity, using ink to reclaim his faith and redefine tradition on skin once marked by taboo. Primordial Dirs. Barney Pell Scholes, Daisy Abboudi | UK, 2025 | 5 mins | English Friendship that lasts a lifetime — Primordial Chicken Soup explores the deep connection formed between eight Scouse Jewish women who first met over fifty-five years ago. The Innocents Dir. Jonny Weinberg | 7 mins | UK, 2025 | English In two English cities with a shared, bloody history, the Jewish communities push for a more honest relationship with the past. To Fly or Float Directed by Charlotte Peters Written and produced by Olivia Maiden 15 mins | UK, 2025 | English Birmingham, 1979. An orphaned girl and her estranged uncle try to navigate their grief, connecting through faith, and the creation of a kite. Starring Ben Caplan Beshert Directed by Lewis Rose Written by Gary Enkin Produced by Jason Solomons and Naomi Gryn 15 mins | UK, 2025 | English A poignant, tender drama about a grumpy old man in a Leeds care home and a reluctant Barmitzvah boy — and the unlikely friendship that changes their lives forever. Starring Anton Lesser
Last year’s global cinematic cultural sensation, which became the most successful Broadway film adaptation of all time, now reaches its epic, electrifying, emotional conclusion in Wicked: For Good. Directed once again by award-winning director Jon M. Chu and starring the spectacular returning cast, led by Academy Award® nominated superstars Cynthia Erivo and Ariana Grande, the final chapter of the untold story of the witches of Oz begins with Elphaba and Glinda estranged and living with the consequences of their choices. Elphaba (Cynthia Erivo), now demonized as The Wicked Witch of the West, lives in exile, hidden within the Ozian forest while continuing her fight for the freedom of Oz’s silenced Animals and desperately trying to expose the truth she knows about The Wizard (Jeff Goldblum). Glinda, meanwhile, has become the glamorous symbol of Goodness for all of Oz, living at the palace in Emerald City and reveling in the perks of fame and popularity. Under the instruction of Madame Morrible (Oscar® winner Michelle Yeoh), Glinda is deployed to serve as an effervescent comfort to Oz, reassuring the masses that all is well under the rule of The Wizard. As Glinda’s stardom expands and she prepares to marry Prince Fiyero (Olivier award winner and Emmy and SAG nominee Jonathan Bailey) in a spectacular Ozian wedding, she is haunted by her separation from Elphaba. She attempts to broker a conciliation between Elphaba and The Wizard, but those efforts will fail, driving Elphaba and Glinda only further apart. The aftershocks will transform Boq (Tony nominee Ethan Slater) and Fiyero forever, and threaten the safety of Elphaba’s sister, Nessarose (Marissa Bode), when a girl from Kansas comes crashing into all their lives. As an angry mob rises against the Wicked Witch, Glinda and Elphaba will need to come together one final time. With their singular friendship now the fulcrum of their futures, they will need to truly see each other, with honesty and empathy, if they are to change themselves, and all of Oz, for good. Wicked: For Good also stars Emmy nominee Bowen Yang and Bronwyn James as Glinda’s fawning assistants, Pfannee and ShenShen and BAFTA and Grammy nominee Sharon D. Clarke (Caroline, or Change) as the voice of Elphaba’s childhood nanny, Dulcibear. The film is produced by returning Tony and Emmy winning powerhouse Marc Platt p.g.a. and by multiple Tony winner David Stone. The executive producers are Stephen Schwartz, David Nicksay, Jared LeBoff, Winnie Holzman and Dana Fox. The first film, Wicked, released in November 2024, earned 10 Academy Award® nominations, including Best Picture, and won the Oscars® for Costume Design and Production Design. To date, the film has grossed $750 million worldwide. Wicked: For Good is based on the generation-defining musical stage play with music and lyrics by legendary Grammy and Oscar® winning composer and lyricist Stephen Schwartz and book by Winnie Holzman, from the bestselling novel by Gregory Maguire. The screenplay is by Winnie Holzman and Winnie Holzman & Dana Fox. The film score is by John Powell & Stephen Schwartz, with music and lyrics by Stephen Schwartz.
Based on the book by Julia Donaldson & Axel Scheffler Directed by: Max Lang, Daniel Snaddon Starring: Patsy Ferran, Kit Harington, Sir Lenny Henry, Hugh Skinner, Tracey Ullman A half hour family film based on the much loved picture book written by Julia Donaldson and illustrated by Axel Scheffler. ZOG is the story of a keen young dragon who wants to learn how to fly, roar, and breathe fire in his first years at Dragon School. He’s desperate to impress his teacher and win a golden star, but he’s accident prone and each year he has to be helped by a kind young girl who patches up his bumps and bruises. Then in Year Four, he has to capture a princess - can the young girl help him with his trickiest challenge yet?